Amikam Toren

Selected solo exhibitions: Palpable, works from 1973–2002, Jessica Silverman Gallery, San Francisco (2017); Blue Beard (Self Portrait in Time), Piper Keys, London (2016); The End of The World as We Know It (Reproductions and Momentos), Art Seen, Nicosia, Cyprus (2015); Reproductions, Anthony Reynolds Gallery, London (2013). Ikon Gallery, Birmingham (2013, 1990); Ramat-Gan Museum of Contemporary Art, Tel Aviv (2000); Chisenhale Gallery, London (1991); Arnolfini Gallery, Bristol (1991); Rotterdam Kunststichtung, Rotterdam (1989); ICA, London (1979); Serpentine Gallery (1976). He has as well exhibited in galleries in Basel, Berlin, Paris, Cologne, London, and Tel Aviv. Internationally, his work has been represented at the Paris Biennale (1967) and at Venice Biennale (1984). He has had several solo exhibitions at Anthony Reynolds Gallery in London since 1985.

Selected group exhibitions: DECENNIAL: A Creative Legacy, Art Seen Gallery, Nicosia, Cyprus (2025); Unorthodox, Jewish Museum, New York (2016); Imago Mundi at Fondazione Giorgio Cini, Venice (2015); Hite Foundation, Seoul (2013); Whitechapel Gallery, London (2012); Common Ground, Biennale Architettura, Venice (2012); 4th Guangzhou Triennial, Guangdong Museum of Art in China (2012). Neuberger Museum of Art, New York (2009); The Australian Centre for Contemporary Art, Melbourne (2008); Centre Georges Pompidou, Paris (1997).

Selected awards: The John Moores Painting Prize (2012); The Jerwood Drawing Prize, London (2011).

Toren has work in the permanent collections of Tate, London; British Arts Council, London; and Vehbi Koç Foundation, Istanbul. Also, works have entered major private collections in Istanbul, Madrid, New York, Dallas and London.